This ambitious and quite hermetic historical drama full of symbolism, written by Marco Dutra and Caetano Gotardo as screenwriters and directors, premiered in the official program of the festival in Berlin, but “All the Dead Ones” and “Todos os Mortos” was one of those somewhat exhausting ones. , slow-motion movies, with which I often have a lot of problems. Although the author’s vision is clear for this subversive arty drama, the action of which mostly takes place in Sao Paulo in 1899, that is, 11 years after slavery was officially abolished in Brazil, I cannot say that I was particularly excited by this film. It is another in a series of films about some kind of colonialist guilt, with which the authors try to push the thesis that not much has changed in these 120 or so years.